VFX Production On-Set: Becoming a Visual Effects Supervisor
Original price was: $84.99.$14.99Current price is: $14.99.
What you’ll learn
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Know what it takes to become a visual effects supervisor in the film industry
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Know what goes into the visual effects supervisor’s toolkit
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Understand the key team players in the visual effects team from pre-production thru post-production
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Plan for a visual effects shoot from start to finish
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Be able to integrate learned skills of visual effects supervision into a final visual effects shot
Always wondered if there was more to visual effects than just sitting behind the computer screen?
If you are the kind of person that loves the outdoors or simply want to find out how to apply your visual effects knowledge to a film set instead of directly onto a film shot, this course will take you through the journey and process of becoming a visual effects supervisor for any live-action film production.
Enjoy the Best Part of the Visual Effects Industry – On-Set and with the Director and Actors.
Learn by doing and preparing your very own visual effects on-set methods, team and toolkit by following these steps from pre-production to post-production of your very own visual effects shot that will put your supervision skills to the test.
Why This Course?
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Taught by someone who has amassed experience in both film production, visual effects supervision as well as post-production visual effects on short and feature films
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Step-by-step walkthrough from pre-production to post-production of a visual effects production with captured footage from film sets and useful production documents
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Detailed insights and know-hows from real industry experts that would save you time, money as well as your reputation when supervising on-set and working with the director and cast
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Unique behind-the-scenes footage and clips from various productions and Hollywood studios
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Move Beyond the Computer Screen to Working on Studio Lots and Experience the Best of Both Worlds – Visual Effects and Film Production.
You will Learn How:Â
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To work your way into becoming a visual effects supervisor
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The visual effects bidding process works
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To identify key team members and visual effects vendors to work with
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To supervise and lead visual effects productions from pre-production to post-production
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To work with members of the crew including the director, director of photography and production design
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To capture and utilize on-set data and information for visual effects
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To prepare for a visual effects shoot
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Visual effects supervisors think and plan
Complete with additional resources, and a fun and engaging live teaching style (alongside multiple industry veterans), students who complete the course will also be welcomed to connect with the instructor for additional educational or collaborative opportunities.
If you participate in this course, you will walk on a film set more empowered and confident, able to command your visual effects crew to ensure that they dress in the right shade of green and pull off the most impressive post-production-saving moves ever –Â
Because you know what they say about fixing it in post. Don’t.
DISCLAIMER:Â the thoughts and opinions of all speakers in this course are not representative of any organization, company or business and are to be taken as personal opinion and insights shared only.
Who this course is for:
- Visual effects artists or students interested in becoming a VFX supervisor on set
- Film students and graduates interested in the visual effects process
- Aspiring or new filmmakers working on their own visual effects film
- NOT for seasoned visual effects professionals who are currently in the industry
12 reviews for VFX Production On-Set: Becoming a Visual Effects Supervisor
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Original price was: $84.99.$14.99Current price is: $14.99.
Marcus Paul –
First! Wow. I have always wondered what it was like being a VFX supervisor and what that job is all about. The interview portions, animated diagrams and cool and funny clips really made this course valuable and memorable. Thank you for this.
Kristy L. –
Amazing lessons! Looking to finishing this class and working on the assignments!
Jonathan Reily –
Personally I like the way the course is structured. I actually managed to cram in the sections from preprod to post and thought it was quite informative. Took a while to finish but I am glad I did.
Pawan kumbhar –
Hi my name is Pawan i’m from INDIA, i want to become a VFX Supervisor,i pursued degree in animation, i’m very passionate about this filed, i don’t have a proper links to get job as a asst VFX Supervisor, i’m trying hard to get, this course teach me very well, i have learned so much from this course, i got so good knowledge, i’m happy with this VFX information. Thanks to UDEMY to make a good learning platform.
Lucky Stephen –
Thank you very much for this course. I paid for becoming a visual effects supervisor, but learnt much more than that.
Natalia –
Great course! Gives nice overview of the profession in short simple terms. Actually, I have collected my biggest vocabulary of professional jargon words. Sure, a theory is a theory, nothing will teach you better than actual work on set.
Christopher Janney –
Great info. Having been an on-set sup a few times, I’m taking this course to see what I can do better, and I’ve got some great notes from this course so far.
Davide Maestri –
Ottimo per capire le figure coinvolte in una produzione VFX. Adesso i titoli di coda dei film non hanno più segreti per me 😉
Soh Wee Lian –
Pretty good course covering the essentials. This course gives a good overview of the responsibilities of a VFX supervisor and also a lot of the industry jargon for those interested in joining the field. A valuable resource for anyone interested in joining the VFX industry.
Matthew Lee –
This course gives you the all the necessary “book learning” along with input from industry professionals (including Vicki Lau herself).
The exercises given with the course are good at giving the students an idea of what is required of a VFX supe and where they probably fall short. However, without additional practice after completing the course, one would probably not be ready to be a VFX supe, unless they have enough experience with VFX production.
EDIT: Since realizing that implementing additional practice would be really difficult to integrate into the course’s content, I have raised my rating from 4.5 stars to 5 stars.
Gregor Stephani –
Sound quality and set is subpar, but for the price I’m not complaining really. I need the knowledge after all
Todd Connor-Wynn –
The Instructor expresses herself well, clear and engaging, I enjoyed the interviews with those involved in the industry. It appears some aspects of the industry have to be learned on set, hence some of the assignments were difficult for me to complete even though I attempted all of the them, perhaps that’s the point get a green screen and start. . Great job Ms. Lau!