Music Composition Bundle: Composition & Film Scoring 1 & 2
What you’ll learn
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Write and Compose music using proven techniques and tips
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Create their own music using software, or good old pencil and paper.
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Generate musical ideas through creativity exercises
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Tools of the trade: Software
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Tools of the trade: Pencils and fine paper
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How do you start?
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The process
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Program music and metaphors
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Character sketches
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Writing through canon
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Form
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Binary, Ternary, and Rondo forms
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Starting with a plan
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Graphic form representations
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Triads, and basic rules of harmony
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Chord progressions
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Inversions
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Song analysis
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Melody writing
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Why Tension and Release?
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Long Term and Short Term Tensions
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Using Form for Tension and Release
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Forms that Create Drama
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Sonata Form
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The 4 Elements of Form
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Example: Mozart, Moonlight Sonata
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Composing with Sonata Form
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Modern Uses of Sonata Form
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Example: Muse, Butterflies and Hurricanes
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Tension and Release with Meter
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Compound Meters
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Meter Signatures
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Alternating Compound and Duple Meters
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Using Rhythm for Altering Expectations
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Rhythmic Patterns
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Pattern Obfuscation
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Example: Philip Glass, Truman Show Soundtrack
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Example: Allen, Aporia
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Using Harmony for Tension and Release
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Consonance and Dissonance
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Prolonging Dominant
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Emphasized Resolution
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Pedal Tones
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Moving “Pedal Tones”
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Example: Aphex Twin, Ventolin
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Combining Multiple Techniques
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Example: Mozart, Sonata in C
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Example: Allen, Angel of Repose
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Film Music and Tension Cues
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Composing for Films
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** UDEMY BESTSELLER **
100% Answer Rate! Every single question posted to this class is answered within 24 hours by the instructor.
Welcome to the COMPLETE Music COMPOSITION AND FILM SCORING Guide!
This is a class designed for the average person who is ready to take their music career (or music interest) and develop it into something more. Whether you are an active musician or an aspiring musician, this class is perfect for you.
When most people think of a composer, they imagine someone sitting in a dusty attic with a grand piano, a big white wig, and the year is 1800. That might have been accurate back then, but the modern composer is just like you and me. In fact, I am one.
In this course, I’ll show you the techniques I use for writing music in a variety of styles and situations. I’ve worked with major American orchestras, film studios, and video game designers, so I’ve got more than a little experience. I’m also a Ph.D. in music composition and a university professor (of music composition).
Recently I was named as a semi-finalist for the Grammy Foundation’s Music Educator of the Year award because of my in-person university classes. Now I’m taking those classes to Udemy in an online format in order to reach more students and give them the joy of Music Theory.
This is a combined class that includes both sections of my Music Composition class, and both sections of my Film Scoring class. As the class grows, we will go deeper and deeper into my techniques. This class starts at the beginning: Generating ideas and getting started.
In the Music Composition portion of this class, we will cover:
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My background, and listen to some of my music
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The difference between music theory and music composition (highly opinionated!)
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Tools of the trade: Software
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Tools of the trade: Pencils and fine paper
-
How do you start?
-
The process
-
Program music and metaphors
-
Character sketches
-
Writing through canon
-
Form
-
Binary, Ternary, and Rondo forms
-
Starting with a plan
-
Graphic form representations
-
Triads, and basic rules of harmony
-
Chord progressions
-
Inversions
-
Song analysis
-
Melody writing
-
Why Tension and Release?
-
Tools of the trade: Software
-
Tools of the trade: Pencils and fine paper
-
Long Term and Short Term Tensions
-
Using Form for Tension and Release
-
Forms that Create Drama
-
Sonata Form
-
The 4 Elements of Form
-
Example: Mozart, Moonlight Sonata
-
Composing with Sonata Form
-
Modern Uses of Sonata Form
-
Example: Muse, Butterflies and Hurricanes
-
Tension and Release with Meter
-
Compound Meters
-
Meter Signatures
-
Alternating Compound and Duple Meters
-
Using Rhythm for Altering Expectations
-
Rhythmic Patterns
-
Pattern Obfuscation
-
Example: Philip Glass, Truman Show Soundtrack
-
Example: Allen, Aporia
-
Using Harmony for Tension and Release
-
Consonance and Dissonance
-
Prolonging Dominant
-
Emphasized Resolution
-
Pedal Tones
-
Moving “Pedal Tones”
-
Example: Aphex Twin, Ventolin
-
Combining Multiple Techniques
-
Example: Mozart, Sonata in C
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Example: Allen, Angle of Repose
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Film Music and Tension Cues
-
Composing for Films
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And much, much, more!
In the Film Scoring portion of this class, we will cover:
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Tools of the trade
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Finding the emotional response
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Music Theory and Genre
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Using Modes in Film Scores
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Finding the Message
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Learning from Temp Cues
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“Spotting” the film
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Working with industry budgets
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Diegetic music and non-diegetic music
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Score and Source
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The Ostinato
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Working with silent films
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Setting up a session
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Marking hits
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Scoring the opening credits
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Motive and Leitmotif
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Working with Leitmotifs
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Working with the rhythm in cues
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POV
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Finding and analyzing POV scenes
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Composing using POV
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Creating an atmosphere
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Using “Pad” sounds with an orchestra
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Finding Atmosphere in film
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Harmonizing string melodies
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Polyrhythmic accompaniment
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Homorhythmic accompaniment
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Working with string orchestra
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The chase scene
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Working with drum loops in chase scenes
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Using the brass section
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Building tension
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Writing tension cues
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Ponticello
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Tremolo
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Glissando
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Writing comedy and animation cues
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“Mickey Mousing”
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Getting gigs as a film composer
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Techniques for building a portfolio
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Finding filmmakers
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And much, much, more!
And of course, once you sign up for this class, all my other classes are yours at steep discounts! Over half off for all future sections!
The course is a roadmap to launching your career as a composer!
All the tools you need to prepare, organize and start your career are included in this course and the entire course is based on real-life experiences – not just academic theory.
Please click the “Take This Course” button so you can launch your music career today.
** I guarantee that this course is the most thorough music business course available ANYWHERE on the market – or your money back (30 day money back guarantee) **
Closed captions have been added to all lessons in this course.
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Praise for Courses by Jason Allen:
⇢ “It seems like every little detail is being covered in an extremely simple fashion. The learning process becomes relaxed and allows complex concepts to get absorbed easily. My only regret is not taking this course earlier.” – M. Shah
⇢ “Great for everyone without any knowledge so far. I bought all three parts… It’s the best investment in leveling up my skills so far..” – Z. Palce
⇢ “Excellent explanations! No more or less than what is needed.” – A. Tóth
⇢ “VERY COOL. I’ve waited for years to see a good video course, now I don’t have to wait anymore. Thank You!” – Jeffrey Koury
⇢ “I am learning LOTS! And I really like having the worksheets!” – A. Deichsel
⇢ “The basics explained very clearly – loads of really useful tips!” – J. Pook
⇢ “Jason is really quick and great with questions, always a great resource for an online class!” M. Smith
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Students who register for this course will receive ongoing exclusive content and discounts to all future classes in the series.
Who this course is for:
- Anyone in any country who is ready to start their professional music career by learning everything they need to know about how music composition works and the film scoring industry.
- Anyone interested in learning to write music for fun, or as a potential new career
12 reviews for Music Composition Bundle: Composition & Film Scoring 1 & 2
Add a review
Original price was: $129.99.$109.99Current price is: $109.99.
Tyler Brassington –
All in all a solid course. Loved the insight to industry practices and some of the composition tips about form and rhythm.
Rina Redena –
Awful course. Lots of water, nothing useful. The author writes bad music, his examples in the course are cacaphony. Wasted time.
Soeren Baretschneider –
From music theory to actual scoring, this was both very instructive and fun to watch. Worked at least for me very well.
Sean Gilbert –
Did half, then finished other half much later. Doing scoring over a video is really interesting for focusing on emotional aspects along with seeing the technical constraints involved
Jez –
A great well-explained dance through useful techniques and thought processes without getting too deep into unimportant content or fluff.
Terrill Thompson –
The content was good, but somewhat unprofessional. For example, when sharing examples from films the composer of that example is rarely named; Also there are many lessons where the visual content is a leftover still from a previous lesson, unrelated to the new content. Finally, many of the student questions have 0 responses – not sure how many years is reasonable for an instructor to stay engaged, but if I’m paying for a course that has Q&A I expect my questions to be answered. If the instructor’s no longer available or under contract, someone else should be hired to fill that role or the course should be retired.
Pedro Silvestre –
Amazing course, so much I´ve learnt from here. Inciteful content, great exposition, engaging topics and great instructor. Highly recommend! 5 stars!!
Bob Young –
Good mix of classical music and electronic and experimental music for the examples.
Arcangelo Pezzella –
The course is very interesting and gives a lot of positive inputs, especially when considering how hard it is to condense a huge subject into a relatively small class.
I would definitively recommend to anyone, as the concepts explained from Jason’s point of view never get old and can add something more to your knowledge.
StudentK K –
Another excellent course by J. It’s amazing how down to earth his approach is when it comes to teaching music. I do his courses mainly to refresh my knowledge but literally anyone can do them as all concepts are explained in plain and simple language.
Pavel Trnka –
I like it very much. Two years ago, I bought some other courses on Udemy, but many of them were boring. This one is different. I am engaged from the start into listening and I appreciate the quality of music the music, knowledges an experience of the author. It improved my opinion of Udemy as a whole. Thank you.
Fabian Berghofer –
Did I learn something?
Well, yes – it’s close to impossible not to obtain any information out of a 16h course.
Was the information I got out of this course worth spending 12$ ?
Nope!
Was the information I got out of this course worth spending 16h of my lifetime?
Definitely not!
Sorry, but this is the worst Udemy Class I’ve ever taken. It’s 16 hours of bla bla which won’t help anyone to get a grip on film composition. This course is mainly: “This is not how you should really do it, but that’s ok. If you want to know more about this topic, buy all my other classes, where I actually explain the stuff you need to know…” (Which I doubt, by the way).
To anyone who wants to learn about film scoring: Forget this course. It’s a waste of time and money.